Developing Broadcasting Industry Through Glocalisation and Hybridisation

Authors

  • Isaac Mutwiri Mutunga Multimedia University of Kenya
  • Collins Wagumba Multimedia University of Kenya

DOI:

https://doi.org/10.15642/jki.2019.9.1.1-20

Keywords:

Creative industry, glocalisation, hybridisation

Abstract

This article is a qualitative descriptive study that examines South Korean and East Africa Audio-visual production and distribution policies and regulations. Through analyzing the results of in-depth interviews with audio-visual (broadcast) policymakers, content producers, and audiovisual business owners, this study found that South Korea reviewed regulations and policies that were protectionist in nature to more open and collaborative policies that were in tune with the digital broadcast environment. It recommended that to create successful broadcast industries, developing countries should review their broadcast policies and regulations to be in tandem with digital and media convergence environment as well as give audio-visual industry prominence by establishing ministries that deals with broadcast-related issues to promote locally, to produce content internationally, and also to source for collaboration between local and international producers.

Downloads

Download data is not yet available.

References

Arif, H., & Nika F.?. (2014). Glocalisation: A study of Bollywood Movies. International

Journal of Communication and Social Research 2(2).

Boyd-Barrett, O., & Boyd-Barrett, O (Ed). Globalization, Media, and Empire: An introduction. LA: Indiana University Press.

Cunningham, S. (2004). The creative industries after cultural policy: a genealogy andsome possible preferred futures. International Journal of Cultural Studies, 7(1), 105-115.

Garnham, N. (2005). From cultural to creative industries: An analysis of the implications of the “creative industries” approach to arts and media policymaking in the United Kingdom’, International Journal of Cultural Policy, 11(1), 15-29

Jian, L. (2016). A cultural hybridization perspective: Emerging academic subculture among International students from East Asia In U.S. Universal Journal of Educational Research 4(9): 2218-2228

Jin, D.Y. (2008). Cultural Politics in Korea’s contemporary films under neoliberal globalization’, Media, Culture and Society, 28(1): 5-23.

Jin, D. Y. (2012). Hallyu 2.0: The New Korean Wave in the Creative Industry. International Institute Journal University of Michigan 2(1). Retrived from http://hdl.handle.net/2027/spo.11645653.0002.102

Khondker, H. H. (2005). Globalization to glocalisation: A Conceptual exploration, intellectual discourse, 13(2), 181-199

Kim, C. (2000). ‘Japan munhwa gaebanggwa gong-yeongbangsong-ui yeoghal (Open for Japanese popular culture and the role of the public broadcasting service’, Bangsong munhwa yeongu (Broadcasting Culture Research, 2(1), 191-211

Kim, D, & Hong, S.K. (2001). The IMF, globalization, and the changes in the media

the power structure in South Korea in Morris, N., and Waisbord, S. (eds), Media and Globalization: Why the state matters, (pp. 133-153). Oxford: Rowman and Littlefield,

Kim, H-M. (2005). Korean TV dramas in Taiwan: With an emphasis on the localization process, Korea Journal, 4(1) 183-205.

Kim, K. (2018). Cultural Hybridity in the Contemporary Korean Popular Culture through the Practice of Genre Transformation. Electronic Thesis and Dissertation Repository. 5472.

Ogunleye, F. (Eds). (2014). Africa Film: Looking Back and Looking Forward,. Cambridge Scholars Publishing

Pieterse, J.N, (1994). Globalisation As Hybridization, International Sociology. Sage Journals, https://doi.org/10.1177/026858094009002003

Robertson, R. (2006). Glocalization. In: Robertson R and Scholte JA (eds) Encyclopaedia of Globalization vol. 2 (pp. 545–8). New York: Routledge.

Robertson, R. (2012). Globalisation or glocalisation? The Journal ofInternational Communication. 18(2), 191-208.

Roudometof, V. (2003). Glocalisation , Space and Modernity, The European Legacy, 8 (1), pp. 37–60

Roudometof, V. (2016a). Glocalisation: A Critical Introduction. London and New York: Routledge.

Roudometof, V. (2016b). Theorising Glocalisation: Three Interpretations. European Journal of social Theory, 19 (3),–408

Shim, D. (2006). Hybridity and the rise of Korean popular culture in Asia. Media, Culture& Society, 28(1), 25–44. doi:10.1177/0163443706059278

Stockhammer, P.W. (2018). Conceptualizing Cultural Hybridization: A Transdisciplinary Approach. Springer: Heidelberg

Straubhaar, J. D. (2003). Choosing national TV: Cultural capital, language, and cultural proximity in Brazil. In M. G. Elasmar (Ed.), The impact of international television: A paradigm shift (pp. 77–110). NJ: Lawrence Erlbaum Associates, Inc.

Straubhaar, J. D. ( 2007). World television: From global to local. Los Angeles: Sage.

Wang, G., & Emilie, Y. Y. (2005). Glocalisation and Hybridization in Cultural Production: A Tale of Two Films. Hong Kong: David C. Lam Institute for East-West Studies.

Woongjae, R. (2009). Glocalisation, or the logic of cultural hybridization: the case of the Korean wave, Asian Journal of Communication, 19(2), 137-151, DOI: 10.1080/01292980902826427

Downloads

Published

2019-06-01

How to Cite

Mutunga, . I. M., & Wagumba, . C. (2019). Developing Broadcasting Industry Through Glocalisation and Hybridisation. Jurnal Komunikasi Islam, 9(1), 1–20. https://doi.org/10.15642/jki.2019.9.1.1-20

Issue

Section

Articles