Arus Baru Feminisme Islam Indonesia dalam Film Religi
DOI:
https://doi.org/10.15642/jki.2013.3.2.250-267Abstract
Abstract: This paper deals with Islamic feminism within the Indonesian religious moving picture Ketika Cinta Bertasbih 2 (KCB). Using semiotic approach, the study shows that the depiction of women’ lives in this film has a different way to the classical western film narrative structures which tend to explore women bodies as an object of masculine desire, as well as Indonesian religious (Islamic) films which commonly depict stereotypical portrayal of women as passive, inexpressive and dependent. Furthermore, this film can be considered as the representation of post-traditional Islam feminist, which seeks to deconstruct the ideology of the Javanese women through re-interpreting Islamic teachings in line with contemporary social realities and traditions.
Keywords: religious film, woman representation, Islamic post-traditionalism, semiotics
Downloads
Download data is not yet available.
References
Referensi
Abdurrahman, M. 2002, ‘Korban pertama penerapan syariat adalah perempuan’, dalam Wajah Liberal Islam di Indonesia,eds L. Assyaukanie, JIL, Jakarta, pp109-113.
Amin, A. 2007, ‘Agama dalam film horor Indonesia 2000-2006’, Jurnal Maarif Institute, vol.2, No.6 November.
Branston, G and Stafford, R. 2003, The Media Student’s Book, Routledge, London & New York. Brenner, S. 1998, The Domestication of Desire: Women, Wealth, and Modernity in Java, Princeton University Press, Princeton
Christina S. Novianto, Handayani-Ardhian.2004, Kuasa Wanita Jawa, LkiS, Yogyakarta
Fiske, J. 1987, Television culture, Routledge, London.
Hooker, M.B. 2003, Indonesian Islam: Social Change through Contemporary Fatawa, Allen &Unwin, Australia.
Ibrahim, A., Siddique, S. & Hussain, Y. (eds) 1995, Reading on Islam in South Asia, Institute of Southeast Asian Studies, Singapore.
Imanjaya, E. 2008 (updated 20 October 2008), Wajah Islam dan umatnya dalam film Indonesia. Diakses pada 25 April 2009 dari http://news.okezone.com/index.php/ReadStory/2008/10/20/58/155548/representasi-islam- dalam-film-indonesia
Mahmada, N.D. 2002, ‘Hijabisasi perempuan dalam ruang publik’ in Wajah Liberal Islam di Indonesia,eds L. Assyaukanie, JIL, Jakarta, pp. 47-59.
Mahmada, N.D. 2003, Kritik atas Jilbab. Diakses pada 25 May 2008 from http://islamlib.com/id/artikel/kritik-atas-jilbab/
Marshment, M. 1997, 'The picture is political: Representations of women in contemporary popular culture,' In Victoria, Robinson and Richardson, Introducing women's studies : feminist theory and practice , Basingstoke, MacMilan, London
Mernisi, Fatima.1997,Menengok Kontroversi Peran Wanita dalam Politik, Bina Ilmu, Surabaya
Moghissi, M. 2005, Feminisme dan Fundamentalisme Islam, LKiS, Yogyakarta
Momen, M. 1992, ‘Fundamentalism and liberalism: towards an understanding of the dichotomy,’ Baha’i Studies Review, vol.2.1
Mulvey. Laura. 1974, ‘Visual Pleasure and Narrative Cinema,’ in the Film theory and criticism: introductory readings, Gerald Marst, Marshall Cohen, Leo Braudy, 4th ed. NewYork: Oxford University Press
Nazaruddin, M. 2008, Islam representation in religious electronic cinemas in Indonesia, retrieved 29 May 2008 from www.surrey.ac.uk/politics/research/.../CP-MuzayinNazaruddin.pdf
Newcomb, H & Hirsch, P. 1994, ‘Television as a cultural forum,’ in Newcomb, H. (ed.), Television: The Cultural View, Oxford University Press, London and New York
Niya, M.F. 2007, Semiotic analysis of the representation of Islam in the TV documentary ‘God’s Warriors’, retrieved 1 June 2009 from http://www.surrey.ac.uk/politics/conferences/archive/Islam_Conference/documents/Mohamm adFathiNiya.doc
Noviani, R. 2007, ‘Matikan TV-mu: Agama Vs Media?,’ Jurnal Maarif Institute, vol,2, No,6 November .O’Shaugnessy, M. & Stadler, J. 2005. Media and Society an Introduction, Oxford, New York.
Shehadeh.2003, ‘The idea of women under fundamentalist Islam’, University Press of Florida, Gainesville
Warburton, E. 2007, ‘No longer a choice: veiling has become a highly politised practice in Indonesia,’ Inside Indonesia, April-June.
Abdurrahman, M. 2002, ‘Korban pertama penerapan syariat adalah perempuan’, dalam Wajah Liberal Islam di Indonesia,eds L. Assyaukanie, JIL, Jakarta, pp109-113.
Amin, A. 2007, ‘Agama dalam film horor Indonesia 2000-2006’, Jurnal Maarif Institute, vol.2, No.6 November.
Branston, G and Stafford, R. 2003, The Media Student’s Book, Routledge, London & New York. Brenner, S. 1998, The Domestication of Desire: Women, Wealth, and Modernity in Java, Princeton University Press, Princeton
Christina S. Novianto, Handayani-Ardhian.2004, Kuasa Wanita Jawa, LkiS, Yogyakarta
Fiske, J. 1987, Television culture, Routledge, London.
Hooker, M.B. 2003, Indonesian Islam: Social Change through Contemporary Fatawa, Allen &Unwin, Australia.
Ibrahim, A., Siddique, S. & Hussain, Y. (eds) 1995, Reading on Islam in South Asia, Institute of Southeast Asian Studies, Singapore.
Imanjaya, E. 2008 (updated 20 October 2008), Wajah Islam dan umatnya dalam film Indonesia. Diakses pada 25 April 2009 dari http://news.okezone.com/index.php/ReadStory/2008/10/20/58/155548/representasi-islam- dalam-film-indonesia
Mahmada, N.D. 2002, ‘Hijabisasi perempuan dalam ruang publik’ in Wajah Liberal Islam di Indonesia,eds L. Assyaukanie, JIL, Jakarta, pp. 47-59.
Mahmada, N.D. 2003, Kritik atas Jilbab. Diakses pada 25 May 2008 from http://islamlib.com/id/artikel/kritik-atas-jilbab/
Marshment, M. 1997, 'The picture is political: Representations of women in contemporary popular culture,' In Victoria, Robinson and Richardson, Introducing women's studies : feminist theory and practice , Basingstoke, MacMilan, London
Mernisi, Fatima.1997,Menengok Kontroversi Peran Wanita dalam Politik, Bina Ilmu, Surabaya
Moghissi, M. 2005, Feminisme dan Fundamentalisme Islam, LKiS, Yogyakarta
Momen, M. 1992, ‘Fundamentalism and liberalism: towards an understanding of the dichotomy,’ Baha’i Studies Review, vol.2.1
Mulvey. Laura. 1974, ‘Visual Pleasure and Narrative Cinema,’ in the Film theory and criticism: introductory readings, Gerald Marst, Marshall Cohen, Leo Braudy, 4th ed. NewYork: Oxford University Press
Nazaruddin, M. 2008, Islam representation in religious electronic cinemas in Indonesia, retrieved 29 May 2008 from www.surrey.ac.uk/politics/research/.../CP-MuzayinNazaruddin.pdf
Newcomb, H & Hirsch, P. 1994, ‘Television as a cultural forum,’ in Newcomb, H. (ed.), Television: The Cultural View, Oxford University Press, London and New York
Niya, M.F. 2007, Semiotic analysis of the representation of Islam in the TV documentary ‘God’s Warriors’, retrieved 1 June 2009 from http://www.surrey.ac.uk/politics/conferences/archive/Islam_Conference/documents/Mohamm adFathiNiya.doc
Noviani, R. 2007, ‘Matikan TV-mu: Agama Vs Media?,’ Jurnal Maarif Institute, vol,2, No,6 November .O’Shaugnessy, M. & Stadler, J. 2005. Media and Society an Introduction, Oxford, New York.
Shehadeh.2003, ‘The idea of women under fundamentalist Islam’, University Press of Florida, Gainesville
Warburton, E. 2007, ‘No longer a choice: veiling has become a highly politised practice in Indonesia,’ Inside Indonesia, April-June.
Downloads
Published
2013-12-24
How to Cite
Hakim, L. (2013). Arus Baru Feminisme Islam Indonesia dalam Film Religi. Jurnal Komunikasi Islam, 3(2), 250–267. https://doi.org/10.15642/jki.2013.3.2.250-267
Issue
Section
Articles
